O homem político em Shakespeare
Sinopse
Product Description<br/><br/><br/>The role of the critic is not to make the text match his/her personal political issues or their absence. Their real role is what the author did in this book, defining the structure she made by showing Shakespeare and how he translates himself in dramatic structure. In the literary text, the political element is not worth by itself, but as a factor of this structure.<br/><br/><br/>About the Author<br/><br/><br/>Barbara Heliodora is from Rio de Janeiro. She studied philosophy in the Rio de Janeiro Federal University and in Connecticut College in the States. She was a theater critic of Jornal do Brasil (Brazilian Newspaper) and O Globo newspaper. She holds a Ph.D in Arts and she is also a professor at University of Rio de Janeiro. Lecturer, book and theater script translator, including Shakespeare.
Sinopse
Product Description<br/><br/><br/>The role of the critic is not to make the text match his/her personal political issues or their absence. Their real role is what the author did in this book, defining the structure she made by showing Shakespeare and how he translates himself in dramatic structure. In the literary text, the political element is not worth by itself, but as a factor of this structure.<br/><br/><br/>About the Author<br/><br/><br/>Barbara Heliodora is from Rio de Janeiro. She studied philosophy in the Rio de Janeiro Federal University and in Connecticut College in the States. She was a theater critic of Jornal do Brasil (Brazilian Newspaper) and O Globo newspaper. She holds a Ph.D in Arts and she is also a professor at University of Rio de Janeiro. Lecturer, book and theater script translator, including Shakespeare.